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The text face used here (as well as elsewhere) is Broadsheet. The home page letters are set in Emily Austin & Lamar Pen. All typefaces referenced on this website Abigail Adams, American Scribe, Antiquarian, Antiquarian Scribe, Attic Antique, Austin Pen, Bonhomme Richard, Bonnycastle, Bonsai, Botanical Scribe, Broadsheet, Castine, Douglass Pen, Emily Austin, Geographica, Geographica Hand, Geographica Script, Houston Pen, Lamar Pen, Military Scribe, Old Man Eloquent, Remsen Script, Schooner Script, Terra Ignota & Texas Hero (as well as all other fonts in the Handwritten History Bundle)are the intellectual property of Three Islands Press (copyright ©19942025). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
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FREE with any order this month is Remsen Script, a formal 1700s script font. |
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Historical Pens » Austin Pen |
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Empresario Stephen F. Austin (1793-1836) is considered by many the “Father of Texas” for leading the first Anglo-American colony into the then-Mexican territory back in the 1820s. A few years later, while on a diplomatic mission to Mexico City, Austin was arrested on suspicion of plotting Texas independence* and imprisoned for virtually all of 1834. During this time he kept a secret diary—much of it written in Spanish. Austin Pen is my interpretation of his scribblings in this miniature prison journal (now in the collection of the wonderful Dolph Briscoe Center for American History). I trust you’ll agree the font is both legible and evocative of commonplace American penmanship of two centuries ago. Austin Pen has regular and bold weightsthe latter replicating look of ink-smudged script. Both come with numerous OpenType features.† US$49 | Order
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*Of course Texas did in fact gain independence from Mexico, in 1836, and Austin ran for the new republic’s first president. He lost to Sam Houston (see Houston Pen), who appointed him Secretary of Statebut soon afterward Stephen Fuller Austin died at the early age of 43, of pneumonia. Incidentally, our Emily Austin font is modeled after the hand of Austin’s sister, Emily Austin Perry (17951851). |
†OpenType features include scores of standard and discretionary ligatures, stylistic alternates, contextual substitutions, lining and old-style figures, cross-outs, ink blots, a hand-lettered uppercase alphabet, and full Latin support. |
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Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow. A.T., Ontario, Canada
Your period-style handwriting fonts remain the very best I've ever found. Thanks for your most excellent contributions to American typography! A.L., Los Angeles CA
I have never encountered such fine and detailed work in a handwritten font before. I heartily applaud your attention to detail and historical accuracy. J.W., Seattle WA
[American Scribe] is the 3rd font I have ordered from this foundry! Love them. Thanks for the good and authentic work! V.B., BC, Canada
All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook. G.H., London, England
Keep up the fonts! They are some of the best I have seen in 10-plus years of design. M.O., Little Rock AR
The Lamar Pen font is divine. We are using it on a novel set in the eighteenth century, and the author is ecstatic. J.H., London, England
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