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The text face used here (as well as elsewhere) is Broadsheet. The home page letters are set in Emily Austin & Lamar Pen. All typefaces referenced on this website Abigail Adams, American Scribe, Antiquarian, Antiquarian Scribe, Attic Antique, Austin Pen, Bonhomme Richard, Bonnycastle, Bonsai, Botanical Scribe, Broadsheet, Castine, Douglass Pen, Emily Austin, Geographica, Geographica Hand, Geographica Script, Houston Pen, Lamar Pen, Military Scribe, Old Man Eloquent, Remsen Script, Schooner Script, Terra Ignota & Texas Hero (as well as all other fonts in the Handwritten History Bundle)are the intellectual property of Three Islands Press (copyright ©19942026). For site licensing contact: Three Islands Press P.O. Box 1092 Rockport ME 04856 USA (207) 596-6768 info@oldfonts.com |
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FREE with any order this month is American Scribe, a genuine 18th century script. |
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*The OpenType release of Douglass Pen has more than 800 glyphsincluding scores of ligatures, alternative upper cases, ink blots, crossouts, and full Latin support. |
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To order Douglass Pen, choose a license and “Add” to your shopping basket. |
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💻 Desktop Licensea standard license for creating personal/commercial art, documents, and graphics.
🌐 Web Licensepermitting installation on a server for embedding fonts via CSS in website designs. |
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The fonts you offer are quite unique and beautifully done.... Your site and ecommerce process was also a pleasure to view and to use. R.M., Newbury NH
Keep up the fonts! They are some of the best I have seen in 10-plus years of design. M.O., Little Rock AR
Oh! I'm in loooove with this font! It's lovely, it's organic, it's real, it's got history & tradition. My designs are singing! C.C., Palo Alto CA
I happened across your website completely by accident, and I was astounded by the fonts I found there. They are amazing. M.S., Ontario, Canada
Bonsai is very beautiful; the font's antiquity seems to conjure a sweet staleness of old newsprint, somehow. A.T., Ontario, Canada
Well done on preserving the old ways of writingthey wrote and spoke so much nicer than we do now. A.K., Adelaide, S. Australia
All [these] typefaces are wonderful, romantic creative fonts which no serious designer could possibly overlook. G.H., London, England
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